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Month: August 2024

Just married, in Amalfi (#5 in series: in between the “cheese!” moments)

 

 

Shortly before the “proper” wedding photographers set to organising the wedding party’s “group” photos, I descended a few of the cathedral’s stairs.

I dislike posed, “1,2,3 – everybody, say cheese!”  photographs, and am usually bored witless by them.

However, watching what goes on around the taking of such photos is another story – often, a much more interesting one.

As you’ll see in this series’ next chapter, the amused “boy blue” – “off camera”, or so he imagined, at the moment that only my camera was pointed at him – would soon be summoned to the top of the stairs, along with other members of the wedding party.

The photo below looks up, shortly before the “proper” photographers and wedding party were ready for the “group” picture-taking.

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Just married, in Amalfi (#2 in series: bride shares “moment” with father)

 

 

I love the fact that very “public” events contain so many “private” moments.

Presumably, my photo captures the bride and her father, relishing a moment of mutual, wry amusement – one that looks like it verges on “complicity”. (If he is not her father, the bride already enjoys a close bond with the man who has just become her father-in-law)

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Just married, in Amalfi (#1 in series: emerging, triumphant)

 

 

On entering the cathedral, we soon realised that we had walked into the latter part of a “big” Italian wedding.

Our presence was not in any way “discouraged”; an interesting event it certainly was, but I thought it would be inappropriate for me to photograph it.

The wedding-proper completed, the newlyweds, their families and friends then walked out into the wider world.

At that point, I thought it would be “socially acceptable” for me to attempt to “capture” the scene. (and it soon became apparent that “strangers” paying non-intrusive attention to their “big day” was enthusiastically welcomed by those directly involved in it)

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Amalfi Cathedral (closer view of upper part of facade)

 

 

Description, courtesy of Wikipedia:

In 1861, part of the facade collapsed, damaging the atrium. The whole front of the church was then rebuilt to a design by architect Errico Alvino in a richly decorated manner drawing on Italian Gothic and especially Arab-Norman styles, similar to but more ornate than the original.

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Amalfi’s cathedral/duomo

 

 

Construction began around twelve centuries ago, but most of what a 21st century visitor sees when looking at Amalfi Cathedral (aka “Duomo di Amalfi” and “Duomo di Sant’Andrea”) is of much more recent vintage.

Allegedly, it has housed the “relics” of St Andrew (Sant’Andrea) since not long after “Crusaders” delivered them from Constantinople to Amalfi in 1206 CE.

Many a “landmark” Italian church has a “medieval” exterior, now ill-matched with a lavishly reworked, much more ornate, “Baroque” interior.

Over the centuries, Amalfi’s cathedral has become a riotously eclectic hybrid of very different styles. (and of different buildings, joined together, repaired, and re-imagined)

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Recognise this town?

 

 

 

Its “permanent” population of circa 5,000 people is around the same size as Naracoorte’s, or circa half that of the Australian Portland.

Naracoorte is a prosperous South Australian country town; Portland is Victoria’s oldest “European” settlement.

The post’s actually-European town is very much older than any Australian one.

its population and power peaked circa one thousand years ago.

Its eponymous republic was then a significant maritime power, trading in many “things”, including enslaved humans.

Tourism-wise, its “peak” is circa right now, and it is stratospherically beyond Naracoorte’s or Portland’s wildest dreams…or nightmares.

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Winter light, Flinders Ranges, 05/06/2023 (final in series: the “Cazneaux Tree”)

 

 

Venerable and majestic as it is, the pictured river red gum is neither the tallest, nor most massive, nor oldest example of the Australian mainland’s most widely distributed and most widely-loved eucalypt species.

The pictured tree, however was “the hero” in the most famous photograph ever taken of Eucalyptus camaldulensis.

87 years ago one of the most influential Australian photographers saw this tree, standing on a sparsely vegetated plateau, with Wilpena Pound’s flanks behind it.

The tree has stood there for at least several centuries; “the Pound” is circa 800 million years older.

Harold Cazneaux (aka “H.P. Cazneaux”) captioned his 1937 tree portrait, The Spirit of Endurance.

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Winter light, Flinders Ranges, 05/06/2023 (#23 in series: Stokes Hill fly-by)

 

 

 

 

At 3. 50 pm we  climbed back into the warmth of the 4WDs and began the drive back down from the Stokes Hill lookout.

At 3. 51 pm we suddenly had very good reason to stop the vehicles, to brave the wintry gusts, and take careful aim with all available binoculars and cameras.

Elevated places are always the best vantage points for humans who like to observe raptors in flight.

The wedge-tailed eagle is Australia’s most massive raptor, and the most widespread.

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