Natural splendour, real musics, wines, wordpower
On Thursday – the second day of our current “expedition” to Namibia – my beloved and I had our lifetimes’ most exciting (to date) close-range encounter with a wild carnivore.
The featured image’s leopard is coming back down from the tree in which she had just stashed “the kill” she had made that afternoon.
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Imagine the image above, devoid of context, and subjected to a “caption this photo” contest.
A suitably cornball “winner”:
a quiet drink with a few mates.
The featured image was taken with a long lens (560 mm) at 11.12 am on 20 February 2020.
The photo immediately below was taken just a few seconds later, from almost exactly the same vantage point, overlooking a pond/reservoir, a few minutes away from Khichan…
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Cranes: in this case, Demoiselle cranes, the world’s smallest crane species,
Jains: adherents of Jainism, an Indian religion which is older than Christianity and Islam.
The practical application of Jainism’s central principle/vow has produced an astounding result.
For Demoiselle cranes (and for human admirers of one of the world’s more elegant birds) Khichan – a modest village in the Thar Desert – is now the world’s most rewarding destination.
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…are all integral to this post, which is a sequel to both the immediately-preceding one and to the 28 January 2022 post on “Hope”.
If you do not already know Emily Dickinson’s poem Hope is The Thing With Feathers you should click here before you read/see/listen to the rest of this post.
Comments closedWhilst I hope you enjoy the photo, it is really here to alert you to a beautiful, quietly surprising “live” performance of Andrea Keller’s Broken Reflection.
The photo was taken in a forest glade in the USA’s Pacific Northwest; the music is Australian.
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This post’s headline is the name of an excellent, albeit US-centric & Western “pop”-centric, article by Ted Gioia.
As he notes:
The song catalogs in most demand are by musicians who are in their 70s or 80s (Bob Dylan, Paul Simon, Bruce Springsteen) or already dead (David Bowie, James Brown).
This post’s photo is a reminder that in 2022 the “Music Biz” also resolutely ignores much of the world’s remarkable “old” music…
Comments closedMeet Mustela altai.
Asia’s Mountain Weasel, or Altai Weasel is an absolute carnivore whose preferred habitat is 3,500 metres+ above sea level.
On October 12, 2019 my beloved and I had an uncommonly close encounter with one, on his or her “moving day”.
This occurred in a very pleasant valley, just off and below the Tibetan Plateau proper, but – at circa 3, 800 metres – still within this species’ allegedly-preferred altitude range.
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Kathryn Schulz’s superb essay is called What Do We Hope to Find When We Look for a Snow Leopard?
Although not primarily about snow leopards, it particularly refers to a 1978 “classic” – Peter Matthiessen’s The Snow Leopard – and to a recently-published book by a Parisian who also pursued an ardent desire to encounter a snow leopard, on “the roof of the world”.
Comments closed(the “metaphorical” featured image shows climbers on what many believe to be the world’s tallest sheer rock-face…it isn’t)
This very poignant song was written a quarter of a century ago.
Its co-authors, separately, have recorded it, but the most celebrated version is a “cover”, issued 20 years ago.
None of those recordings quite “nailed” it, I think.
As of February 21, 2021, there is a “definitive” version, performed “live”…
One CommentIf the almost-titlepiece of Rhiannon Giddens’ new album were new to your ears, you would probably assume it was a venerable “traditional” song, probably from Appalachia.
Listeners who already knew many traditional Appalachian songs would likely be mightily surprised that they could have hitherto missed such a superb, particularly haunting one.
In fact, Calling Me Home was authored by Alice Gerard; it was titlepiece of her 2002 album, issued in the year of her 68th birthday. (An even better album is Follow the Music, which Alice Gerrard recorded – mostly “live” – in her 80th year)
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