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Category: Americas and Eurasia and Africa

Word Power: “Is Old Music Killing New Music?”

 

This post’s headline is the name of an excellent, albeit US-centric & Western “pop”-centric, article by Ted Gioia.

As he notes:

The song catalogs in most demand are by musicians who are in their 70s or 80s (Bob Dylan, Paul Simon, Bruce Springsteen) or already dead (David Bowie, James Brown).

This post’s photo is a reminder that in 2022 the “Music Biz” also resolutely ignores much of the world’s remarkable “old” music…

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Moving Day (chez Mountain Weasel)

Meet Mustela altai.

Asia’s Mountain Weasel, or Altai Weasel is an absolute carnivore whose preferred habitat is 3,500 metres+ above sea level.

On October 12, 2019 my beloved and I had an uncommonly close encounter with one, on his or her “moving day”.

This occurred in a very pleasant valley, just off and below the Tibetan Plateau proper, but – at circa 3, 800 metres – still within this species’ allegedly-preferred altitude range.

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Word power: Kathryn Schulz on “the Misanthropocene”

 

 

Kathryn Schulz’s superb essay is called What Do We Hope to Find When We Look for a Snow Leopard?

Although not primarily about snow leopards, it particularly refers to a 1978 “classic” – Peter Matthiessen’s The Snow Leopard – and to a recently-published book by a Parisian who also pursued an ardent desire to encounter a snow leopard, on “the roof of the world”.

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Revelatory Covers (#17 in series): “When You Come Back Down”

(the “metaphorical” featured image shows climbers on what many believe to be the world’s tallest sheer rock-face…it isn’t)

This very poignant song was written a quarter of a century ago.

Its co-authors, separately, have recorded it, but the most celebrated version is a “cover”, issued 20 years ago.

None of those recordings quite “nailed” it, I think.

As of February 21, 2021, there is a “definitive” version, performed “live”…

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Revelatory covers (#16 in series): Rhiannon Giddens sings “Calling Me Home”

If the almost-titlepiece of Rhiannon Giddens’ new album were new to your ears, you would probably assume it was a venerable “traditional” song, probably from Appalachia.

Listeners who already knew many traditional Appalachian songs would likely be mightily surprised that they could have hitherto missed such a superb, particularly haunting one.

In fact, Calling Me Home was authored by Alice Gerard; it was titlepiece of her 2002 album, issued in the year of her 68th birthday. (An even better album is Follow the Music, which Alice Gerrard recorded – mostly “live” – in her 80th year)

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Word power: Arundhati Roy excoriates Narendra Modi

 

Direct quote from Indian Prime Minister Modi, crowing, in January 2021:

Friends, it would not be advisable to judge India’s success with that of another country. In a country which is home to 18% of the world population, that country has saved humanity from a big disaster by containing corona effectively.

Arundhati Roy, describing India’s ghastly pandemic reality in April 2021:

The system hasn’t collapsed. The government has failed. Perhaps “failed” is an inaccurate word, because what we are witnessing is not criminal negligence, but an outright crime against humanity.

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Word Power: Ratty, post-COVID-19

 

The rodent pictured above – well-rounded, petite, and “out in the wild”  – quite probably strikes you as “cute”, maybe even “adorable”.

But how about the longer-toothed, urban-invading ranks of Rattus norvegicus?

Allegedly, they are currently making themselves ever more “at home” inside our cities’ offices, shops and homes…

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Word power: previously banned, now compulsory

On 22 October 2019,  in the northeastern part of the Tibetan Plateau in Qinghai, China, I met an obviously-ambitious sheep-owner.

Clearly, he was “improving” his flock, probably with help from Australia.

Some of his sheep greatly surprised me – very evidently, some of their “bloodlines” were merino.

The prosperous grazier’s mask was entirely appropriate to his dusty task.

However, wearing it would have been expressly forbidden in some other places/contexts, even in the much more open/democratic land of Oz…

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Yeniuguo/ Wild Yak Valley (#5 in “Tibetan Plateau” series)

This sequel to the immediately-preceding post shows the magnificent landscape which surrounds and towers above the valley’s floor.

From Budongquan (see #4 in Tibetan Plateau series) we set off in darkness.

We breakfasted two hours later, overlooking a brushy, sandy section of the valley floor…through which we then walked.

The featured image (all photos copyright Doug Spencer) was taken at 8.11 am, during breakfast.

 

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Living on a high, dry “floor” (#4 in “Tibetan Plateau” series)

The featured bird is very tiny, very hardy.

“His” valley’s sparsely vegetated floor – the “low ground”, locally – all sits within 200 metres either side of 4000 metres above sea level.

If transplanted to the Tibetan Plateau, New Zealand’s highest peak would fail to reach this valley’s lowest point.

 

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