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Category: instrumental music

“Softly, as in a morning sunrise” (#84 in “a shining moment” series)

Its tautological title notwithstanding, the song is one of the loveliest “jazz standards”.

As is true of many “jazz standards”, it was not written as a jazz song.

This post’s photo (copyright Doug Spencer) was taken recently on a beautiful Spring morning in my favourite “Deep South”.

Australians do not need a passport to access it, but internal border closures currently render it “off limits” to most Australians.

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Passion Flower (#83 in “a shining moment” series)

Most – around 80% – of southwestern Australia’s flower species are endemic.

Many naturally only occur in very particular, small portions of WA’s southwest.

Almost all are extraordinary.

Some are very obviously beautiful and/or highly unusual.

Others – this one, for instance – only reveal their singularity if you stop walking, get your head down to where the flower is, and look closely.

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Perfect storm, at last (#82 in “a shining moment” series)

In 37 years of visits to Albany (on Western Australia’s south coast) we had failed to achieve a key ambition: to experience a major storm there.

A few days ago, nature finally obliged; the image shows Lowlands Beach at 3. 54 pm on Sunday 20 September 2020.

Joseph Tawadros provided this post’s suitably tempestuous music.

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Jumping up in Spring (#81 in “a shining moment” series)

 

 

The featured image shows Caladenia latifolia – the Pink Fairy.

If you are in southern Australia (Tasmania included), within one hundred kilometres of the Indian or Southern Oceans, and have access to somewhere bushy and sandy, chances are excellent that you can see this species in flower, right now…or very soon.

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Narcissistic duck? (#80 in “a shining moment” series)

Anthropomorphic captions almost always lie about the animals they purport to describe!

This juvenile Australian Wood Duck was simply preening, as birds do.

This behaviour has precisely nothing to do with egregious self-regard.

However, the “water as mirror” circumstance does lead me to one of my favourite pianists, delivering a sublime rendition – coughers, notwithstanding – of Claude Debussy’s Reflets dans l’eau.

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Fuller version of “Big Spit: full Monty”

If the featured image’s swan had nested at this location a couple of decades earlier,  he/she (black swans share nesting/parenting duties) would have almost been “living next door to Alan”.

Alan Bond – criminal/America’s Cup “hero” – is no more, but “his” Victoria Avenue mansion recently sold for multiple millions, and is part of the featured image’s “millionaire’s row”.

This post is best read after first seeing the immediately preceding one.

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Revelatory covers (15th in series): “Oblivion”, twice

 

Oblivion is a 1982 composition by Astor Piazzolla (1921-1992), Nuevo tango’s pre-eminent composer and bandoneon virtuoso.

Perhaps his most uncanny piece, it has survived/endured countless covers.

Some of its finest interpreters are not Argentinian, and although one of this post’s two very different versions does feature a “squeezebox”, it is not a bandoneon.

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Revelatory Covers (14th in series): Brian, Fred, Thelonious,Ruby

Thelonious Monk (1917-1982) is one of my favourite composers.

Ruby, My Dear has always been one of my favourite Monk ballads.

Among living pianists, Fred Hersch has, I think, proved the most consistently rewarding interpreter of Monk.

Until a few weeks ago, I had never heard Brian Landrus; I have heard literally thousands of Monk “covers”, but none lovelier than the one which concludes Brian’s new album.

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