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Category: ‘non-western’ musics, aka ‘world music’

The greatest percussionist, period? Vale Zakir Hussain (1951-2024)

 

I do not believe in the notion that any single player/composer/writer/whatever kind of artist is – or ever was the best.

That said, Zakir Hussain was undoubtedly the most influential, most eclectically-inclined, and most ubiquitous hand-drummer/percussionist in human history.

(Jim McGuire took the photo of him)

Zakir Hussain died on Monday, in his adoptive home city of San Francisco.

He was born 73 years earlier,  in what was then Bombay, now Mumbai.

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“Jewel in the crown of Kashmir” (final chapter, with musical bonus)

 

 

 

I took the photo at 8.54 pm on 04 May 2024.

At that time my vantage point – an entertainment barge – was loud and lively, as the preceding several posts have illustrated.

However, if one looked out across the waters of Dal Lake – and up to the ridge overlooking its southern shore – the scene appeared utterly serene, unruffled, “silent”.

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Vale Toumani Diabate

On 19 July the world lost one of its most eloquent instrumentalists..

Malian kora virtuoso Toumani Diabate was 58; he died after a short illness.

He was not the only great kora player, but he was, unquestionably, the kora’s most prominent and most influential exponent; Toumani Diabate turned it into a “concert” instrument.

At age 22 he recorded Kaira – the world’s first absolutely solo kora album.

(oft-misdescribed as an African “harp”, the kora is in fact a harp-lute)

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Triple K “expedition” (#31 in teaser series: Karakoram mountain meadows + musical bonus & concert tour alert)

 

 

This post’s image does not at all resemble #30’s shot of a “Silk Road” remnant.

Its vantage point, however, was only a few footsteps distant from #30’s; #31’s photo was taken less than a minute later, from the same side of the Karakoram Highway, whilst en route from Gilgit to the Hunza Valley.

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Quirky moments (#8 in series: Madagascan lizard atop Madagascan “lizard”, with musical bonus)

 

Presumably, the living lizard had no sense of the pictured circumstance’s synchronicity, let alone any awareness that a human passer-by might find it quirky or amusing.

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“From behind” (#2 in single-image series: switched-on monk)

 

 

This post’s subtitle owes an apology to Wendy Carlos.

(Wendy, who was originally named Walter, is most famous for her 1968 LP “Switched-on Bach”).

This post includes a musical bonus; like the featured image, it involves Tibetan Buddhism…but not J.S. Bach.

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Okonjima sunset (with “astounding” musical bonus)

This post’s musical bonus really is astounding, I think.

November 4 2022, at Okonjima, was one of the most rewarding days of our lives.

The immediately-preceding post’s leopard encounter was its most electrifying moment, but we also saw another leopard, giraffes galore, cheetahs, many other animals, and some beautiful country.

Circa 7 pm, we adjourned to a hilltop, to enjoy “sundowners”…and/or the actual sundown.

I took the featured photo at 7.06 pm.

The other images, below, are in chronological order.

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Rare, shimmering…with musical bonus (#12 in Namibia single-image series)

 

 

Khowarib Gorge is one of very few Namibian places through which water flows, visibly, “permanently”.

This post’s (Tunisian) musical bonus was doubtless inspired by larger waves, dancing somewhere else entirely, but Anouar Brahem’s Dance With Waves dances well with a desert river’s rippling.

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