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Category: music

Zebra finches at waterhole (#15 in SA/NT “outback” single image teaser series + suitably fleet musical bonus)

 

 

This post’s photo is far-from-perfect.

Nonetheless, I think/hope it conveys a sense of just how fleet-and-flurrying (and splashy) is the to-and-fro of zebra finches at a drinking/bathing “station”.

In arid regions such “stations” can themselves appear and vanish, very rapidly.

The pictured pool sat at the base of the eastern wall of Jessie Gap on 14 June 2023. (photo is copyright Doug Spencer. Jessie Gap is a short drive from Alice Springs)

Musically,  I agree with the listener who suggested that if J.S. Bach had heard Chris Thile play, there’d be a set of Bach mandolin suites.

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Big softie, empty tank (#4 in SA/NT “outback” single image teaser series + musical bonus)

 

 

The Curdimurka rail siding – near Lake Eyre South in the SA outback – saw its first train in 1888.

The last one went through in 1980, nearly three decades after the pictured water tank and gigantic water softener lost their raison d’être, when diesel electrics replaced steam locomotives in 1951.

This “big softie” was erected in 1943-44, so its working life was very brief.

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“From behind” (#2 in single-image series: switched-on monk)

 

 

This post’s subtitle owes an apology to Wendy Carlos.

(Wendy, who was originally named Walter, is most famous for her 1968 LP “Switched-on Bach”).

This post includes a musical bonus; like the featured image, it involves Tibetan Buddhism…but not J.S. Bach.

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Three of the same, with musical bonus (#10 in series: black-winged stilt)

 

 

Two questions arise when considering all three birds in today’s featured image.

The obvious one: “clearly, their wings are not black, so how do they merit their name?”

The other one: “why is Himantopus himantopus in the Guinness Book of Records?”

 

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3.5 amazing hours, Namib Desert (final episode, with musical bonus)

 

The featured image looks north/ish, to the silhouetted edge of the Namib’s “sand sea”, circa 40 kilometres east of Sossusvlei.

I took the photo at 7.37 pm – Sossusvlei’s sunset time on 21 November 2022.

This little series’ final image was captured 7 minutes later.

Had I had available the necessary time and technology, I would then have loved to listen to a particularly sublime musical creation which I first heard in 1989, and which amazes and inspires me, still.

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Word power: Natalie Merchant and Walt Whitman

 

 

Natalie and Walt have just unwittingly delayed the promised leopard post!

(it will be the next one, I promise)

The photo alludes to one of my favourite Walt Whitman poems, from Leaves of Grass.

Most printed interviews with musicians are time-wasting, publicist-driven piffle.

A notable exception is The New Yorker interview, published today – worth reading, whether or not you admire/know Natalie Merchant’s singing/songs.

There aren’t a lot of people writing love songs to Walt Whitman.

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Oft-encountered “8” – butterfly, with musical bonus (#17 in series of single-image south India series)

 

 

 

South India’s large terrestrial mammals hog the limelight, but its insects, amphibians, birds and reptiles are equally worthy of appreciative human attention.

The non-mammals offer an enormously higher number of individuals and species, with a mind-bogglingly diverse array of shapes and colours.

Butterflies abound.

The pictured individual is a member of this region’s (probably) most oft-sighted butterfly species.

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Okonjima sunset (with “astounding” musical bonus)

This post’s musical bonus really is astounding, I think.

November 4 2022, at Okonjima, was one of the most rewarding days of our lives.

The immediately-preceding post’s leopard encounter was its most electrifying moment, but we also saw another leopard, giraffes galore, cheetahs, many other animals, and some beautiful country.

Circa 7 pm, we adjourned to a hilltop, to enjoy “sundowners”…and/or the actual sundown.

I took the featured photo at 7.06 pm.

The other images, below, are in chronological order.

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Revelatory covers (#23 in series – Brad Mehldau plays The Beatles)

Imagine (no, not that song) this:

The Tardis delivers a very surprised J.S Bach into the present day, with no briefing.

He finds himself seated at an interesting “new” keyboard – a grand piano.

Atop it is a device, pre-loaded with a diverse selection of music/s from the second half of the 20th century.

He is given absolutely no “background information”.

The printed instruction to him says, “press button to listen to these pieces, then improvise upon whichever one most pleases you”

JSB is intrigued by I Am The Walrus.

Q: what would he do with/to it?

A: perhaps, something like what you are about to hear….

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