Natural splendour, real musics, wines, wordpower
It is a great pleasure to encounter a non-gloating, happy person – one who appears comfortable in their own skin, who requires “no particular reason” to be happy, who radiates contentment, is fully alive, and not “on guard”.
Such encounters do not require a common language, nor any words to be spoken.
Typically, no commercial transaction is involved, no contest, no “big event”…
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A perfectly peaceful, spacious scene?
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Leading by example: an Australian pelican, in South Australia’s Coorong National Park.
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Pikas are the Tibetan Plateau’s most numerous mammals.
The pictured individual was still alive, just…
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These ferns were photographed on a spring afternoon in readily accessible rainforest, a short drive west from Apollo Bay, along the Great Ocean Road,
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Near the northern tip of New Zealand’s North Island is the so-called Ninety Mile Beach”.
It is no less magnificent for its actual length – “only” 88 kilometres.
Musically, today offers a sublime, spacious, shore-inspired instrumental solo, plus an also-spare song which depicts a lovely state of mind:
lost in a seagull’s flight
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The pictured twilight is in a beautiful part of Australia’s southwest – a so-called “valley” which many people repeatedly drive past without ever seeing, as they rush further “down south”…to “Marg’s”.
Mélodie au crépuscule is a beautiful composition which was NOT composed by Django Reinhardt.
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An attentive observer, watching a non-sleeping bird, will very rarely see a serene creature.
For most of their waking moments, most birds are obviously keenly aware of their vulnerability to predators, their opportunities as predators, and/or of how best to defend or advance their “place” within an ever-competitive hierarchy.
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Could Sir Mick and his fellow Rolling Stones really be so dangerous, still?
…and who knew that they lurked within a nature Reserve in China?
Lock up your pandas!
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This is a sequel to yesterday’s post, which addressed the very same tree and the same tune.
This post’s photo was taken a very few minutes after yesterday’s, in essentially the same conditions; “today’s” bark also sits on the lower trunk, and is less than a metre distant from “yesterday’s”.
The particular quartet responsible for “today’s” performance is a splendid foursome who never existed as a regular unit, nor ever made a studio album, as such.
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