Janis Joplin’s Me and Bobby McGee will forever be the best-known cover of a Kris Kristofferson song, but even more remarkable is June Tabor‘s singular version of Casey’s Last Ride.
One CommentCategory: miscellaneous
Over the last year no “female vocal” albums have moved me more deeply. In their different ways, each defies description, and is a very “unlikely” success. Respectively, they were recorded in the singer’s living room in Iowa, and in a studio in south-east France. Iris Dement interprets Russian poetry, in a manner no one else would ever have attempted… or imagined. Elina Duni addresses poetry and traditional song from her birthplace, Albania…with three brilliant Swiss jazzmen.
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Happy New Year from Pelican Yoga. Read on and you’ll reap a Fiddlehead Fern musical reward…
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What elephants may be lacking most of all is not language but the Rosetta Stone to prove they have it and clue us in to what on God’s green earth they’re talking about all the time…. They have a vocal range of ten octaves (a piano has seven), and up to three-quarters of the sounds they produce are inaudible to human ears.
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For nearly three decades Chris Abrahams and Lloyd Swanton have been two thirds of The Necks.
That singular Australian trio is renowned worldwide, but its members do many other good, highly diverse musical things.
Chris Abrahams’ Climb and Lloyd Swanton’s Ambon are wonderful, in very different ways. Climb is all piano, solo. Ambon involves a shifting cast of thirteen…and a true story both dreadful and inspirational.
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Stella Bella 2014 Chardonnay and Castle Rock 2014 Diletti Chardonnay are available for circa $30 a bottle in Australia. Respectively, from Margaret River and Porongurup, each is distinctly different. Both are clearly superior to a lot of more expensive Australian Chardonnays.
One CommentThe teachers do their rounds
And they are mostly kind, you know.
But the language ain’t the same.
They cut my hair and changed my name.
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Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.
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To most West Australians it is “Rotto” – their very own, magical, holiday island, “overseas”, at home…within eyesight of Perth.
To indigenous West Australians it is Wadjemup – a place of exile, imprisonment, premature death. The island’s 19th & early 20th century history is more monumentally unjust & tragic than Alcatraz’s.
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Together for the first time as a trio on disc, Danish drummer Morten Lund, Swedish bassist Lars Danielsson & Norwegian saxophonist Marius Neset (l-r, above, photographed by Stephen Freiheit) have delivered a wonderful, exuberant album. Norwegian drummer Per Oddvar Johansen’s trio is utterly different, somewhat darker.
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