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Revelatory covers (15th in series): “Oblivion”, twice

 

Oblivion is a 1982 composition by Astor Piazzolla (1921-1992), Nuevo tango’s pre-eminent composer and bandoneon virtuoso.

Perhaps his most uncanny piece, it has survived/endured countless covers.

Some of its finest interpreters are not Argentinian, and although one of this post’s two very different versions does feature a “squeezebox”, it is not a bandoneon.

French (ancestrally, Italian) accordion virtuoso Richard Galliano knew Piazzolla, who directly encouraged him, as well as profoundly influencing him.

Galliano has recorded many different versions of Oblivion.

This is a 2015 “live” duet with Brazilian (of partly Argentinian ancestry) guitarist  Yamandu Costa :

 

 

 

Latvian violinist Gidon Kremer has for many years been a great exponent of Piazzolla’s music – all the more so, I think, because of something which troubles some listeners.

(namely, that Kremer has never aped Piazzolla, nor ever paid attention to received notions about “tango”, “Argentina”, “hot-bloodedness” etc)

This incredible performance, with his own Kremerata Baltica, is, I think, from a 1998 concert in Germany:

 

 

Footnote:

Both photos feature “inanimate” objects which are oblivious to their impact on humans.

Nonetheless…..

 

Big moon rising, 6.47 pm, 08 February 2020, Rann of Kutch, Gujarat, India. Copyright Doug Spencer.

 

(the featured image – taken in February 2016 – shows fresh water flowing over rocks, just above the salty waters of a tidal creek on the Kimberley coast, in north Western Australia)

Published in 'western' musics Americas and Eurasia and Africa instrumental music music photographs Western Australia